March 18, 2014

In Defense


In Defense

This editorial was printed in our March/April 2014 issue, before the events in Crimea began to unfold. It is all the more important now, to help readers understand what our magazine is about, and what our mission is as journalists covering Russia.


The negativity of western press coverage in the buildup to the Sochi Olympics was rather more than even we expected. Certainly some of it was deserved, some not (see my February 7 blog post to this effect). Yet, thankfully, once the competition began the focus turned to the athletes who had all worked so hard to get to Russia. And, as of this writing on February 12, it has been a truly exciting, amazing competition.

Meanwhile, there were some during this fracas who wondered to me out loud if it was not rather difficult having to “defend Russia and all it has become.” To which I replied rather simply:

“At Russian Life we don't defend Russia. That's not our job. And neither is attacking Russia.”

As I have noted in this space before, there is no such thing as “objective” media and we make no claim of impartiality. But our bias is not one that leads us to say that all about Russia is either good or ill. Our bias is our tendency to be more interested in, more drawn to things Russian. And we do our best to present all sides of this complex country in the most balanced way we know how.

The range of topics we cover in each issue is a reflection of this. In this issue, for instance, we have stories on the northern tundra, folk art, terror and the Church, Vladimir Nabokov, a secret bunker in the UK, Russian troops in Paris, subbotniks, Karelian pies and shapka-ushankas.

Our definition of a Russophile is not someone who blindly embraces all things Russian as superior, but someone who is innately fascinated by Russia because it is different, because it is interesting, because it is important.

While we are on the subject of bias, let me share some guiding principles that comprise the fuzzy outlines of our editorial philosophy:

  • Treat freedom of speech as sacrosanct. A society cannot be free without it. Any attempt by anyone, anywhere, to limit anything other than hate speech (or that which incites violence) should be scrutinized mightily.
  • Avoid oversimplification and distortion. And stereotypes.
  • Embrace pluralism and toleration. And diversity.
  • Seek understanding, not truth. No, all things are not relative. In most situations, there is in fact a right or wrong. It may not be the same for everyone, but it is there. You just need to stare and study long enough. If you find it, don't moralize. Just note what you see and why, then move on.
  • Beware the person who claims to have the one right answer. About anything.
  • Shine a bright light on anyone whose actions destroy the planet, the past, or our common future.
  • Expose and condemn violence.
  • Use humor liberally when covering politicians, celebrities and zealots. And, most importantly, yourself.
  • Question all sources' motives, and always disclose one's own to readers.
  • Maintain a clear line between advertising and editorial.
  • Be original.
  • Be independent.
  • Be accountable.

You can help with that last one. If you see us straying from our principles, please tell us what you see. Sometimes we get a bit busy or amped up on coffee and forget which way is up.

Enjoy the issue.

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Some of Our Books

Moscow and Muscovites

Moscow and Muscovites

Vladimir Gilyarovsky's classic portrait of the Russian capital is one of Russians’ most beloved books. Yet it has never before been translated into English. Until now! It is a spectactular verbal pastiche: conversation, from gutter gibberish to the drawing room; oratory, from illiterates to aristocrats; prose, from boilerplate to Tolstoy; poetry, from earthy humor to Pushkin. 
Okudzhava Bilingual

Okudzhava Bilingual

Poems, songs and autobiographical sketches by Bulat Okudzhava, the king of the Russian bards. 
The Moscow Eccentric

The Moscow Eccentric

Advance reviewers are calling this new translation "a coup" and "a remarkable achievement." This rediscovered gem of a novel by one of Russia's finest writers explores some of the thorniest issues of the early twentieth century.
Dostoyevsky Bilingual

Dostoyevsky Bilingual

Bilingual series of short, lesser known, but highly significant works that show the traditional view of Dostoyevsky as a dour, intense, philosophical writer to be unnecessarily one-sided. 
Davai! The Russians and Their Vodka

Davai! The Russians and Their Vodka

In this comprehensive, quixotic and addictive book, Edwin Trommelen explores all facets of the Russian obsession with vodka. Peering chiefly through the lenses of history and literature, Trommelen offers up an appropriately complex, rich and bittersweet portrait, based on great respect for Russian culture.
Survival Russian

Survival Russian

Survival Russian is an intensely practical guide to conversational, colloquial and culture-rich Russian. It uses humor, current events and thematically-driven essays to deepen readers’ understanding of Russian language and culture. This enlarged Second Edition of Survival Russian includes over 90 essays and illuminates over 2000 invaluable Russian phrases and words.
Russian Rules

Russian Rules

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Steppe / Степь (bilingual)

Steppe / Степь (bilingual)

This is the work that made Chekhov, launching his career as a writer and playwright of national and international renown. Retranslated and updated, this new bilingual edition is a super way to improve your Russian.
Fearful Majesty

Fearful Majesty

This acclaimed biography of one of Russia’s most important and tyrannical rulers is not only a rich, readable biography, it is also surprisingly timely, revealing how many of the issues Russia faces today have their roots in Ivan’s reign.
The Frogs Who Begged for a Tsar (bilingual)

The Frogs Who Begged for a Tsar (bilingual)

The fables of Ivan Krylov are rich fonts of Russian cultural wisdom and experience – reading and understanding them is vital to grasping the Russian worldview. This new edition of 62 of Krylov’s tales presents them side-by-side in English and Russian. The wonderfully lyrical translations by Lydia Razran Stone are accompanied by original, whimsical color illustrations by Katya Korobkina.

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Russian Life is a publication of a 30-year-young, award-winning publishing house that creates a bimonthly magazine, books, maps, and other products for Russophiles the world over.

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