June 22nd marks the 76th anniversary of Operation Barbarossa, the Nazi invasion of Russia that changed the course of WWII and, perhaps, history itself.

Don't be fooled: the old man with a white beard and red coat is not Santa Claus. It's Grandfather Frost! Learn how to tell the two apart with this handy list.

There are many myths surrounding Russian food. Darra Goldstein, author of the cookbook, A Taste of Russia, addresses seven common ones.

What do radio, television, the periodic table, and helicopters have in common? Russians were involved in developing all of them – and more!

On the occasion of Pushkin's birthday, we offer a post on the challenge of translating his most famous love lyrics, "Я вас любил," with a bonus look at Innokenty Annensky's "Среди миров."

The story of the epic Spine of Russia trip, intertwining fascinating subject profiles with digressions into historical and cultural themes relevant to understanding modern Russia. 

The Atlanta Balalaika Society Orchestra will perform a program of Russian and Ukrainian folk melodies with soprano Irina Petrik and domra virtuoso Angelina Galashenkova-Reed.

The University of Wisconsin Russian Folk Orchestra, now in its 22nd season, presents its annual Spring Concert.

On Stage At Kingsborough closes its 2018-2019 season with the chance to experience the most electric musical couple on the Russian jazz scene, as part of the Jazz At The Lighthouse series.

Celebrating on of 20th-century most prolific composers with a rare performance of his 24 Cello Preludes along with Mussorgsky's Pictures from an Exhibition.

American Ballet Theatre's 2019 Spring Gala on Monday evening, May 20 will pay tribute to the 10th Anniversary year of Alexei Ratmansky as ABT Artist in Residence.

The Washington Balalaika Society will celebrate its 30th anniversary with three world-class domra virtuosi, a master of the balalaika, a brilliant and talented conductor and an orchestra of sixty musicians.

The Washington Balalaika Society will celebrate its 30th anniversary with three world-class domra virtuosi, a master of the balalaika, a brilliant and talented conductor and an orchestra of sixty musicians.

A dog with a human hand for a body, a chameleon with a human profile, and a pensive bear drinking a friendly cup with a soldier: these are some examples of the creatures that inhabit the universe of Sergei Isupov, the Russian born, Massachusetts based sculptor and painter.

The Sacred in the Profane offers a survey of Simun’s unique capacity to find forms that appear in ancient art and Christian iconography in molded plastic and other consumer objects since his arrival to the United States from Russia in the early 1980s.

Jacques Hnizdovsky's art expressed his capacity for joy, humor, and hope, most often in of animals from the Bronx Zoo, and has been widely recognized and beloved for over half a century. This exhibition presents a single collection of Hnizdovsky prints (woodcuts, linocuts, and etchings), as well as one of his paintings, which are rarely seen.

The Body in Soviet Art examines the depictions of the human form in Soviet art, featuring more than fifty works created in the 1950s-1970s.  Representations of the human body have varied over time and across cultures.  Soviet art placed a unique emphasis on the working body as part of a Soviet collective.

Irina Nakhova: Museum on the Edge is the artist’s first museum retrospective in the United States. Nakhova stands apart both from the first generation of Moscow conceptualists and from her younger peers. Unlike many of her colleagues, in whose works the narrative or textual component plays a prominent role, Nakhova draws on the visual and cultural dimensions of her dialogue with art history for the conceptual content of her work.