January 07, 2014

The Many Homelands of Sergei Parajanov


The Many Homelands of Sergei Parajanov

Today, January 7, would have been Soviet filmmaker Sergei Parajanov’s 90th birthday.

Sergei Parajanov was always hard to define, but he was best summed up as “an Armenian born in Georgia and put in a Russian prison for Ukrainian nationalism,” and as one of Soviet film’s creative geniuses.

In comparing Russia to the Soviet Union, one often overlooked point is the sheer number of various ethnicities and nationalities that made up the USSR. The USSR was not just the Russian Federative Republic – it included 14 other republics, politically subjugated, but culturally distinct. In much the same way, Soviet film was not just Russian film: while the Russians had a technological headstart, actors and directors of the various republics eventually came into their own, drawing on their home cultures and methods of storytelling.

Enter Parajanov. Well, before him, enter his mentor at the VGIK film institute, Aleksandr Dovzhenko. In films like Earth, Dovzhenko was one of the first to use motifs from a distinct minority culture – in his case, Ukrainian. For his troubles, the film studio in Kiev was later named in his honor.

Okay, now enter Parajanov, who relocated to Kiev after graduating from VGIK, to work at the newly-named Dovzhenko studio. In addition to his Armenian heritage, Georgian upbringing, and Russian education, he learned to speak Ukrainian fluently, married a Ukrainian woman, and immersed himself in the culture. He emerged with one of his most famous films, Shadows of Forgotten Ancestors, steeped in Ukrainian Hutsul culture and which, for its markedly un-socialist un-realism, quickly got him blacklisted with the Soviet authorities.

A markedly traditional wedding from Shadows of Forgotten Ancestors

Later films – all released with great difficulty – explored Armenian (The Color of Pomegranates), Georgian (Legend of Suram Fortress), and Azerbaijani (Ashik-Kerib [video]) cultures in similarly vivid color and detail.

So what was that about being put in a Russian prison? Parajanov’s art and public position on touchy subjects like free press and show trials were a bit of a nuisance to party leadership. Their heckling pushed him to leave Ukraine for Armenia; in 1973 he was arrested for the first time and sent to Siberia – the Soviet punishment of choice. He served “only” four of his five years, following a personal plea from Louis Aragon to Brezhnev on his behalf, but made up that last year after being arrested again in 1982 and serving one more year before another early release.

Needless to say, hard labor in a Siberian prison camp is no path to good health. In 1990, while working on yet another film, Parajanov died of lung cancer – the news was relayed to Russia as “the world of cinema has lost a magician.” In claiming Parajanov’s legacy, Armenia was most proactive: Parajanov’s “house-museum” was opened in Yerevan in 1991, even though Parajanov never lived in that house. But it’s Tbilisi’s gravity-defying statue that gives the filmmaker the representation he deserves: full of life and somehow soaring above it all.

Lookit 'im go!

Image credit: Vladimer Shioshvili, Wikimedia Foundation

Like this post? Get a weekly email digest + member-only deals

Some of Our Books

93 Untranslatable Russian Words

93 Untranslatable Russian Words

Every language has concepts, ideas, words and idioms that are nearly impossible to translate into another language. This book looks at nearly 100 such Russian words and offers paths to their understanding and translation by way of examples from literature and everyday life. Difficult to translate words and concepts are introduced with dictionary definitions, then elucidated with citations from literature, speech and prose, helping the student of Russian comprehend the word/concept in context.
The Pet Hawk of the House of Abbas

The Pet Hawk of the House of Abbas

This exciting new trilogy by a Russian author – who has been compared to Orhan Pamuk and Umberto Eco – vividly recreates a lost world, yet its passions and characters are entirely relevant to the present day. Full of mystery, memorable characters, and non-stop adventure, The Pet Hawk of the House of Abbas is a must read for lovers of historical fiction and international thrillers.  
White Magic

White Magic

The thirteen tales in this volume – all written by Russian émigrés, writers who fled their native country in the early twentieth century – contain a fair dose of magic and mysticism, of terror and the supernatural. There are Petersburg revenants, grief-stricken avengers, Lithuanian vampires, flying skeletons, murders and duels, and even a ghostly Edgar Allen Poe.
Murder at the Dacha

Murder at the Dacha

Senior Lieutenant Pavel Matyushkin has a problem. Several, actually. Not the least of them is the fact that a powerful Soviet boss has been murdered, and Matyushkin's surly commander has given him an unreasonably short time frame to close the case.
Marooned in Moscow

Marooned in Moscow

This gripping autobiography plays out against the backdrop of Russia's bloody Civil War, and was one of the first Western eyewitness accounts of life in post-revolutionary Russia. Marooned in Moscow provides a fascinating account of one woman's entry into war-torn Russia in early 1920, first-person impressions of many in the top Soviet leadership, and accounts of the author's increasingly dangerous work as a journalist and spy, to say nothing of her work on behalf of prisoners, her two arrests, and her eventual ten-month-long imprisonment, including in the infamous Lubyanka prison. It is a veritable encyclopedia of life in Russia in the early 1920s.
Fish: A History of One Migration

Fish: A History of One Migration

This mesmerizing novel from one of Russia’s most important modern authors traces the life journey of a selfless Russian everywoman. In the wake of the Soviet breakup, inexorable forces drag Vera across the breadth of the Russian empire. Facing a relentless onslaught of human and social trials, she swims against the current of life, countering adversity and pain with compassion and hope, in many ways personifying Mother Russia’s torment and resilience amid the Soviet disintegration.
Faith & Humor: Notes from Muscovy

Faith & Humor: Notes from Muscovy

A book that dares to explore the humanity of priests and pilgrims, saints and sinners, Faith & Humor has been both a runaway bestseller in Russia and the focus of heated controversy – as often happens when a thoughtful writer takes on sacred cows. The stories, aphorisms, anecdotes, dialogues and adventures in this volume comprise an encyclopedia of modern Russian Orthodoxy, and thereby of Russian life.
At the Circus (bilingual)

At the Circus (bilingual)

This wonderful novella by Alexander Kuprin tells the story of the wrestler Arbuzov and his battle against a renowned American wrestler. Rich in detail and characterization, At the Circus brims with excitement and life. You can smell the sawdust in the big top, see the vivid and colorful characters, sense the tension build as Arbuzov readies to face off against the American.
Tolstoy Bilingual

Tolstoy Bilingual

This compact, yet surprisingly broad look at the life and work of Tolstoy spans from one of his earliest stories to one of his last, looking at works that made him famous and others that made him notorious. 
The Moscow Eccentric

The Moscow Eccentric

Advance reviewers are calling this new translation "a coup" and "a remarkable achievement." This rediscovered gem of a novel by one of Russia's finest writers explores some of the thorniest issues of the early twentieth century.
A Taste of Chekhov

A Taste of Chekhov

This compact volume is an introduction to the works of Chekhov the master storyteller, via nine stories spanning the last twenty years of his life.

About Us

Russian Life is a publication of a 30-year-young, award-winning publishing house that creates a bimonthly magazine, books, maps, and other products for Russophiles the world over.

Latest Posts

Our Contacts

Russian Life
73 Main Street, Suite 402
Montpelier VT 05602

802-223-4955