Senior Lieutenant Pavel Matyushkin has a problem. Several, actually. Not the least of them is the fact that a powerful Soviet boss has been murdered, and Matyushkin's surly commander has given him an unreasonably short time frame to close the case.

One hundred and fifty years ago, Mikhail Saltykov-Shchedrin offered a humorous critique of the state of Russian literature in the 1860s. He also wrote some parody "dreadful stories," one of which is translated and reproduced here.

In March 1863, Mikhail Saltykov-Shchedrin offered a biting critique of contemporary literature that is as humorous as it is significant.

Whenever I read about Constance Garnett, doyenne of Russian-to-English literary translation, sitting in the garden and banging out her work with scarcely a break for reflection (“She would finish a page,” D.H. Lawrence tells us, “and throw it off on a pile on the floor without looking up...”), I don’t know whether to laugh or cry.

Extract from Anna Akhmatova's "Poem Without a Hero", in which she eulogized the year 1913.

The movie is almost too silly to discuss, as if Saturday Night Live decided to do a parody, but nobody but the costume-director and scene-making crew were ready. A puppet resembling Keira Knightley plays Anna; although thin, even scrawny, the animators make her look almost human.

Two stories out of Russia this weekend reinforced the stereotype that Russian entities (a) don't respect copyrights, yet (b) do value propaganda.

In this, the second of two posts on Tolstoy's Anna Karenina, the author recounts his discovery of the greatest novel of all time: "I had never lived a book as I lived Anna Karenina."

Lev Tolstoy's Anna Karenina has been called the greatest novel of all time. But can one really appreciate it as much in English translation versus the Russian original?

Reviews of five interesting new books for Russophiles: Former People, Nevsky, St. Petersburg Noir, Wooden Churches and Russian Film Posters.

It is conventional wisdom that old-fashioned, ink and pulp publishing is in its death throes. But what if there were a way to "flip" the publishing model in a manner that preserves what is good, adopts what is new and useful, and filters out what is harmful and useless? I think we have found a way...