April 23, 2021

Attack of the "Uncultured" Muscovites


Attack of the "Uncultured" Muscovites
A parkour traceur's dream. The RussianLife files

Sometimes, online rage is justified. As in this case.

Photos have surfaced of a Moscow parkour participant (called a "traceur") atop a statue on a famous Petersburg landmark, leading to anger towards the "uncultured" visitors.

A St. Petersburg tour guide shared the images in a Facebook group for Petersburg residents, along with a call to get the perpetrators reported. Replies to the post reflect disgust and disappointment, and urge authorities to better police historic sites.

The pictures show a well-known Moscow parkour traceur standing jauntily atop the head of a century-old neoclassical statue adorning the famous Rosenstein apartment building in downtown St. Petersburg. The typical Petersburg rooftop hangout this was not, but rather a crass (and, to some, disrespectful) stunt.

This is just the latest development in the long-standing rivalry between Russia's two "capital" cities. Not even our editorial team can agree.

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A book that dares to explore the humanity of priests and pilgrims, saints and sinners, Faith & Humor has been both a runaway bestseller in Russia and the focus of heated controversy – as often happens when a thoughtful writer takes on sacred cows. The stories, aphorisms, anecdotes, dialogues and adventures in this volume comprise an encyclopedia of modern Russian Orthodoxy, and thereby of Russian life.

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Stargorod is a mid-sized provincial city that exists only in Russian metaphorical space. It has its roots in Gogol, and Ilf and Petrov, and is a place far from Moscow, but close to Russian hearts. It is a place of mystery and normality, of provincial innocence and Black Earth wisdom. Strange, inexplicable things happen in Stargorod. So do good things. And bad things. A lot like life everywhere, one might say. Only with a heavy dose of vodka, longing and mystery.

Little Golden Calf
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Our edition of The Little Golden Calf, one of the greatest Russian satires ever, is the first new translation of this classic novel in nearly fifty years. It is also the first unabridged, uncensored English translation ever, and is 100% true to the original 1931 serial publication in the Russian journal 30 Dnei. Anne O. Fisher’s translation is copiously annotated, and includes an introduction by Alexandra Ilf, the daughter of one of the book’s two co-authors.

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