March 20, 2018

Method Acting


Method Acting

To improve my ear for the spoken language, my Russian tutors over there and my Freshman English college students here in New York all suggested the obvious: watch Russian TV.

Why I didn’t heed them is one of those mysteries about ourselves. I had reasons but no good reasons. After all, I remembered sitting alone in Petersburg, Moscow and Yasnaya Polyana hotel rooms enjoying any non-news show I clicked on. Watching CSI-like shows, soccer or hockey and The Office-like sit-coms was fun and probably educational: no subtitles. I paid close attention and parroted phrases I recognized. But when I returned to New York, никогда! Never! ... Until last fall.

I’ve already written about the slick and attractive but far-fetched detective show Нюхач (“The Sniffer”) on Netflix. Now I turn to an actual smitten-worthy show, probably already well-known to Russian-TV watchers: 2011’s Метод Лавровой (Lavrova’s Method), or as it is absurdly titled in its Amazon Prime translation: “Madame Detective,” about a criminology class taught by a young blond knockout in the Moscow police academy. She teaches by engaging her students in on-going cases, which “method” takes advantage of and challenges their eagerness and naivete, as well as dangerously or comically overwhelming them.

In brief, Katya Lavrova (Svetlana Khodchenkova) retired or took a leave of absence from her job as a police detective because of a mistake, a hesitation, involving her no-good older half-brother, which resulted in the near-fatal wounding of her partner and best buddy, Mikhail (Misha) Chiglintsev, played by Dmitriy Blokhin, who, I’m prepared to swear, with his sad eyes, depthless soul and kindly manner, is a better actor than the great Daniel Day-Lewis. Despite Lavrova not officially working anymore as a detective, she consults with Misha on his cases and generally takes them over. Misha just can’t help deferring to her.

I enjoy Lavrova despite her frostiness, despite her primness, despite her sharp tongue and impatience with everyone: her students, her roommate, the countless suspects and even her mother. I admire her careful weighing of clues and her explications of them with her class, though she has the uncanny inability to detect that short, stocky, dough-faced Misha is madly in love with her and would die for her. But in Season 1, nobody else, not even her hunky lawyer boyfriend, nor nebbish ex-husband, nor her crew of hormone-rich students, notice Misha’s love of her either. It’s only we viewers who have to sympathize with him and sigh when Lavrova ruffles his hair or teases him as if he were a neutered bear.

At first I thought her wayward crew of students, all of whom were on the verge of dropping out of the academy before she took on the course, were props, the laziest of stereotypes. But the show creators did not choose for us to know them before Lavrova got to know them, or before they got to know one another. They’re all attractive puppies: feisty, affectionate, moody, moony, sensitive and playful.

The 20-episode Season 1 has so many light and funny moments that your hard-earned yet unfair prejudices about Russian stolidity and humorlessness will dissolve like sugar in hot tea. (Anyway, mine did.)

In the second and final season (2013), which is available, but without subtitles on YouTube, there seems to have been an attempt to spice it up and speed it along, and that’s a shame. One of the show’s attractions is its lack of hurry. (In Season 1 some of the mysteries take four episodes to solve.) Her class reminds me of my favorite classes, both decades ago when I was a student and now as a professor in a Brooklyn community college. In a classroom with good chemistry, it feels as if we have forever.

 

Like this post? Get a weekly email digest + member-only deals

Some of Our Books

Stargorod: A Novel in Many Voices

Stargorod: A Novel in Many Voices

Stargorod is a mid-sized provincial city that exists only in Russian metaphorical space. It has its roots in Gogol, and Ilf and Petrov, and is a place far from Moscow, but close to Russian hearts. It is a place of mystery and normality, of provincial innocence and Black Earth wisdom. Strange, inexplicable things happen in Stargorod. So do good things. And bad things. A lot like life everywhere, one might say. Only with a heavy dose of vodka, longing and mystery.
Dostoyevsky Bilingual

Dostoyevsky Bilingual

Bilingual series of short, lesser known, but highly significant works that show the traditional view of Dostoyevsky as a dour, intense, philosophical writer to be unnecessarily one-sided. 
The Frogs Who Begged for a Tsar (bilingual)

The Frogs Who Begged for a Tsar (bilingual)

The fables of Ivan Krylov are rich fonts of Russian cultural wisdom and experience – reading and understanding them is vital to grasping the Russian worldview. This new edition of 62 of Krylov’s tales presents them side-by-side in English and Russian. The wonderfully lyrical translations by Lydia Razran Stone are accompanied by original, whimsical color illustrations by Katya Korobkina.
Marooned in Moscow

Marooned in Moscow

This gripping autobiography plays out against the backdrop of Russia's bloody Civil War, and was one of the first Western eyewitness accounts of life in post-revolutionary Russia. Marooned in Moscow provides a fascinating account of one woman's entry into war-torn Russia in early 1920, first-person impressions of many in the top Soviet leadership, and accounts of the author's increasingly dangerous work as a journalist and spy, to say nothing of her work on behalf of prisoners, her two arrests, and her eventual ten-month-long imprisonment, including in the infamous Lubyanka prison. It is a veritable encyclopedia of life in Russia in the early 1920s.
Murder and the Muse

Murder and the Muse

KGB Chief Andropov has tapped Matyushkin to solve a brazen jewel heist from Picasso’s wife at the posh Metropole Hotel. But when the case bleeds over into murder, machinations, and international intrigue, not everyone is eager to see where the clues might lead.
Fish: A History of One Migration

Fish: A History of One Migration

This mesmerizing novel from one of Russia’s most important modern authors traces the life journey of a selfless Russian everywoman. In the wake of the Soviet breakup, inexorable forces drag Vera across the breadth of the Russian empire. Facing a relentless onslaught of human and social trials, she swims against the current of life, countering adversity and pain with compassion and hope, in many ways personifying Mother Russia’s torment and resilience amid the Soviet disintegration.
A Taste of Russia

A Taste of Russia

The definitive modern cookbook on Russian cuisine has been totally updated and redesigned in a 30th Anniversary Edition. Layering superbly researched recipes with informative essays on the dishes' rich historical and cultural context, A Taste of Russia includes over 200 recipes on everything from borshch to blini, from Salmon Coulibiac to Beef Stew with Rum, from Marinated Mushrooms to Walnut-honey Filled Pies. A Taste of Russia shows off the best that Russian cooking has to offer. Full of great quotes from Russian literature about Russian food and designed in a convenient wide format that stays open during use.
Chekhov Bilingual

Chekhov Bilingual

Some of Chekhov's most beloved stories, with English and accented Russian on facing pages throughout. 
Steppe / Степь (bilingual)

Steppe / Степь (bilingual)

This is the work that made Chekhov, launching his career as a writer and playwright of national and international renown. Retranslated and updated, this new bilingual edition is a super way to improve your Russian.
Bears in the Caviar

Bears in the Caviar

Bears in the Caviar is a hilarious and insightful memoir by a diplomat who was “present at the creation” of US-Soviet relations. Charles Thayer headed off to Russia in 1933, calculating that if he could just learn Russian and be on the spot when the US and USSR established relations, he could make himself indispensable and start a career in the foreign service. Remarkably, he pulled it of.
Davai! The Russians and Their Vodka

Davai! The Russians and Their Vodka

In this comprehensive, quixotic and addictive book, Edwin Trommelen explores all facets of the Russian obsession with vodka. Peering chiefly through the lenses of history and literature, Trommelen offers up an appropriately complex, rich and bittersweet portrait, based on great respect for Russian culture.

About Us

Russian Life is a publication of a 30-year-young, award-winning publishing house that creates a bimonthly magazine, books, maps, and other products for Russophiles the world over.

Latest Posts

Our Contacts

Russian Life
73 Main Street, Suite 402
Montpelier VT 05602

802-223-4955