Nadezhda Alexeyeva

Nadezhda Alexeyeva

Director and artistic director of the Maly Theater, Veliki Novgorod

Patriotism is a very personal feeling, just like religion. I don’t want to rank myself among the patrios that yell from every television, in all the mass media, that this is some kind of requirement. Yet recently I have been asking myself this question quite often. It has simply slashed me, because I pose this question to myself and answer that “yes, of course, I am a patriot and reside in that sphere of culture that is my motherland, and a reside among a sphere of people that truly comprises for me my small motherland.” From these small things the whole of everything is created. And my understanding of “motherland,” I repeat, is for me mainly tied to the people and and our culture. Therefore, yes. And in this regard, if I were answering a question about religion, I would also answer unequivocally. Unequivocal in the sense not becasue I don’t belive in God, but because this too is a very personal question. And nevertheless, I answer it, “Yes, of course.” But I don’t want to rank myself among patriots who yell about Russian lands. I want to rank myself among patriots who speak of Russian culture. First and foremost, this is people, our asset, human and rich. Оf course it is our people.

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This gripping autobiography plays out against the backdrop of Russia's bloody Civil War, and was one of the first Western eyewitness accounts of life in post-revolutionary Russia. Marooned in Moscow provides a fascinating account of one woman's entry into war-torn Russia in early 1920, first-person impressions of many in the top Soviet leadership, and accounts of the author's increasingly dangerous work as a journalist and spy, to say nothing of her work on behalf of prisoners, her two arrests, and her eventual ten-month-long imprisonment, including in the infamous Lubyanka prison. It is a veritable encyclopedia of life in Russia in the early 1920s.

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Davai! The Russians and Their Vodka
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Davai! The Russians and Their Vodka

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Little Golden Calf
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Our edition of The Little Golden Calf, one of the greatest Russian satires ever, is the first new translation of this classic novel in nearly fifty years. It is also the first unabridged, uncensored English translation ever, and is 100% true to the original 1931 serial publication in the Russian journal 30 Dnei. Anne O. Fisher’s translation is copiously annotated, and includes an introduction by Alexandra Ilf, the daughter of one of the book’s two co-authors.

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