January 16, 2014

The One and Only Chapayev


The One and Only Chapayev

Boris Babochkin, star of the iconic 1934 film “Chapaev,” would have been 110 years old this Saturday, January 18.

You know how some actors are remembered for that one amazing role, no matter what else they do? Soviet actor Boris Babochkin, who would have celebrated his “eleventieth” birthday this Saturday, once made the “mistake” of starring as Chapayev in Chapayev in 1934, and for the remaining 40 years of his life he never surpassed that role.

Based on real personalities of the Russian Civil War, the film follows a local Red Army commander, Vasily Ivanovich Chapayev. With the help of political commissar Furmanov (whose real-life counterpart’s memoirs formed the basis of the plot), Chapayev organizes his troops and clashes with the White Army. And since – spoiler alert! – the Bolsheviks did, in fact, win the Civil War, there’s no doubt that the Reds in the movie will be victorious, no matter what dangerous and suspenseful situations [video] they find themselves in.

"Where should the commander be? In front, on his dashing steed!"

Babochkin’s Chapayev is a bit of a country bumpkin: a witty, charismatic leader and father-figure to his troops, but a little fuzzy on the nuances of political theory. “Are you for the Bolsheviks or the communists?” the villagers ask, and he says he’s “for the International!” He uses potatoes on a roughly drawn map to demonstrate military tactics, but if his men are in trouble, he throws all that out the window and rushes in to help. “Come to me midnight or later,” he tells his soldiers, “and if I’m drinking tea – drink with me. If I’m eating – eat with me. That’s the kind of commander I am!” Can we really blame the Soviet public for falling in love with the film and its title character?

  

Petka and Anka, comrades-at-arms

Machine-gunning lessons

Of course, Chapayev didn’t do it all alone. Besides Furmanov, he had Petka (Peter), his young aide, and Anka the Machine-Gunner (bonus points for a strong, independent female character!). The Chapayev-Petka-Anka combination was later expanded upon in endless Russian jokes.

But it wasn’t just the characters or the story that attracted millions to the film. Up until Chapayev, Russian and Soviet movies had been silent – in fact, even Chapayev was made in two versions, so that even movie theaters without sound equipment could still show it. For the first time, Soviet audiences could appreciate not only the visuals and the montage, but also dialogue, presented in real-time, complete with intonations and regional accents. You can’t get that with white-on-black titles.

Furmanov (left) mentoring Chapaev (right)

And let’s not forget the film’s political bent! Here was a local commander, a free radical, being trained and educated – slowly, respectfully – by a loyal party cadre, the commissar. Together, they repel the Whites; separately, the hint goes, maybe they wouldn’t have. For all its entertainment value, for all its cinematic innovation, the film owes a significant part of its success – and its original production – to its subtle message in favor of the ruling party. No wonder Stalin reportedly watched it over 30 times!

 

Image credit: Wikimedia Commons, vothouse.ru

Like this post? Get a weekly email digest + member-only deals

Some of Our Books

The Samovar Murders

The Samovar Murders

The murder of a poet is always more than a murder. When a famous writer is brutally stabbed on the campus of Moscow’s Lumumba University, the son of a recently deposed African president confesses, and the case assumes political implications that no one wants any part of.
Murder at the Dacha

Murder at the Dacha

Senior Lieutenant Pavel Matyushkin has a problem. Several, actually. Not the least of them is the fact that a powerful Soviet boss has been murdered, and Matyushkin's surly commander has given him an unreasonably short time frame to close the case.
The Little Golden Calf

The Little Golden Calf

Our edition of The Little Golden Calf, one of the greatest Russian satires ever, is the first new translation of this classic novel in nearly fifty years. It is also the first unabridged, uncensored English translation ever, and is 100% true to the original 1931 serial publication in the Russian journal 30 Dnei. Anne O. Fisher’s translation is copiously annotated, and includes an introduction by Alexandra Ilf, the daughter of one of the book’s two co-authors.
Marooned in Moscow

Marooned in Moscow

This gripping autobiography plays out against the backdrop of Russia's bloody Civil War, and was one of the first Western eyewitness accounts of life in post-revolutionary Russia. Marooned in Moscow provides a fascinating account of one woman's entry into war-torn Russia in early 1920, first-person impressions of many in the top Soviet leadership, and accounts of the author's increasingly dangerous work as a journalist and spy, to say nothing of her work on behalf of prisoners, her two arrests, and her eventual ten-month-long imprisonment, including in the infamous Lubyanka prison. It is a veritable encyclopedia of life in Russia in the early 1920s.
The Pet Hawk of the House of Abbas

The Pet Hawk of the House of Abbas

This exciting new trilogy by a Russian author – who has been compared to Orhan Pamuk and Umberto Eco – vividly recreates a lost world, yet its passions and characters are entirely relevant to the present day. Full of mystery, memorable characters, and non-stop adventure, The Pet Hawk of the House of Abbas is a must read for lovers of historical fiction and international thrillers.  
93 Untranslatable Russian Words

93 Untranslatable Russian Words

Every language has concepts, ideas, words and idioms that are nearly impossible to translate into another language. This book looks at nearly 100 such Russian words and offers paths to their understanding and translation by way of examples from literature and everyday life. Difficult to translate words and concepts are introduced with dictionary definitions, then elucidated with citations from literature, speech and prose, helping the student of Russian comprehend the word/concept in context.
Tolstoy Bilingual

Tolstoy Bilingual

This compact, yet surprisingly broad look at the life and work of Tolstoy spans from one of his earliest stories to one of his last, looking at works that made him famous and others that made him notorious. 
At the Circus (bilingual)

At the Circus (bilingual)

This wonderful novella by Alexander Kuprin tells the story of the wrestler Arbuzov and his battle against a renowned American wrestler. Rich in detail and characterization, At the Circus brims with excitement and life. You can smell the sawdust in the big top, see the vivid and colorful characters, sense the tension build as Arbuzov readies to face off against the American.
Davai! The Russians and Their Vodka

Davai! The Russians and Their Vodka

In this comprehensive, quixotic and addictive book, Edwin Trommelen explores all facets of the Russian obsession with vodka. Peering chiefly through the lenses of history and literature, Trommelen offers up an appropriately complex, rich and bittersweet portrait, based on great respect for Russian culture.

About Us

Russian Life is a publication of a 30-year-young, award-winning publishing house that creates a bimonthly magazine, books, maps, and other products for Russophiles the world over.

Latest Posts

Our Contacts

Russian Life
73 Main Street, Suite 402
Montpelier VT 05602

802-223-4955