October 16, 2001

Orthodox Christian Canonization


Orthodox Christian Canonization

Canonization, in the Orthodox Church, is different from sainthood in the Catholic Church. The canon is a list; a standard. To be canonized is to have your name placed in the canon of those so honored. Each canonized individual is assigned a day, on the Church calendar, when they, along with others, will be acknowledged by the faithful.

The decision to place a person's name in the canon is, in modern times, decided by the Church. The primary characteristic that must have been present in the life of the individual being considered is that he/she held within him/herself the likeness of God. God created mankind in His image. Image, in Greek, is ikon. Man is to be a faithful reflection of God, the original ikon. When the image of God is seen in a person, their life is considered one which the children of God (the people) should emulate. As a result, Orthodox churches feature several ikons (images) of saints.

During the first millennium after Christ, and before the Great Schism, saints were identified and acknowledged without any official rite. The tradition began as individual parishes, or groups of believers, remembered the most pious lives of their departed members and strove to develope their spiritual qualities in their own lives. The faithful would pray to the deceased for guidance and cherished their relics (human remains) in the belief that the Holy Spirit still abided there.

By the 900s AD, the Church rulers in Rome mandated that saints be officially listed. The first individual listed in the canon was Ulrich of Augsburg, canonized in 993 by Pope John XV. In 1054, the Great Schism occurred, dividing the Church between East (Constantinople) and West (Rome). The Church of Rome (Catholic) soon developed a rigid, legal style process for identifying saints. The East, to this day, has not created such a system.

The tradition of localized determination of saints continued. Often, these individuals were acknowledged as such; as spiritual examples; during their lifetimes. They were, then, honored (venerated) after their passing.

In the Orthodox tradition, saint means holy. Canonization does not make one a saint. In other words, the act of including a person in the canon does not make them holy. They are canonized because they were holy in their mortal life. The life of a holy person is placed before the faithful as an example to follow.

There often is confusion and misunderstanding regarding the Orthodox practice of praying to saints and venerating their ikons. Orthodox Christians do NOT replace God with saints. Prayers to a saint are for help and guidance. One will pray, asking a saint to pray for them. This is no different that when one asks a friend of fellow Christian to pray for them or for a particular concern. Saints, being holy, are persons whose lives are dedicated to the need and importance of prayer. Asking a saint to pray for, or better said, with you is like seeking the help and wisdom of a more experienced person.

Veneration of ikons is often misunderstood as worshiping the image. This is not the case. When the Orthodox Christian bows and kisses the ikon, he/she is honoring the image of God that is seen in the saint's life. The believer prays that God's image will be visible in his/her life as well.

The practice of an Orthodox priest censing and bowing to an ikon is familiar. The ancient Hebrews of the Old Testament used incense to signify their prayers rising up to God who they hoped would find them pleasing. What many do not realize is, the priest, also, censes and bows to the faithful gathered. The priest sees the image of God in the ikon, as well as in each individual of his congregation.

In conclusion, canonization does not make a person holy (a saint). The person was holy in life, reflecting the image of God in their spiritual walk. Canonization merely acknowledges what already is and establishes the person's spiritual life as one to be emulated.

Like this post? Get a weekly email digest + member-only deals

Some of Our Books

Driving Down Russia's Spine

Driving Down Russia's Spine

The story of the epic Spine of Russia trip, intertwining fascinating subject profiles with digressions into historical and cultural themes relevant to understanding modern Russia. 
The Samovar Murders

The Samovar Murders

The murder of a poet is always more than a murder. When a famous writer is brutally stabbed on the campus of Moscow’s Lumumba University, the son of a recently deposed African president confesses, and the case assumes political implications that no one wants any part of.
Davai! The Russians and Their Vodka

Davai! The Russians and Their Vodka

In this comprehensive, quixotic and addictive book, Edwin Trommelen explores all facets of the Russian obsession with vodka. Peering chiefly through the lenses of history and literature, Trommelen offers up an appropriately complex, rich and bittersweet portrait, based on great respect for Russian culture.
The Moscow Eccentric

The Moscow Eccentric

Advance reviewers are calling this new translation "a coup" and "a remarkable achievement." This rediscovered gem of a novel by one of Russia's finest writers explores some of the thorniest issues of the early twentieth century.
Life Stories: Original Fiction By Russian Authors

Life Stories: Original Fiction By Russian Authors

The Life Stories collection is a nice introduction to contemporary Russian fiction: many of the 19 authors featured here have won major Russian literary prizes and/or become bestsellers. These are life-affirming stories of love, family, hope, rebirth, mystery and imagination, masterfully translated by some of the best Russian-English translators working today. The selections reassert the power of Russian literature to affect readers of all cultures in profound and lasting ways. Best of all, 100% of the profits from the sale of this book are going to benefit Russian hospice—not-for-profit care for fellow human beings who are nearing the end of their own life stories.
Marooned in Moscow

Marooned in Moscow

This gripping autobiography plays out against the backdrop of Russia's bloody Civil War, and was one of the first Western eyewitness accounts of life in post-revolutionary Russia. Marooned in Moscow provides a fascinating account of one woman's entry into war-torn Russia in early 1920, first-person impressions of many in the top Soviet leadership, and accounts of the author's increasingly dangerous work as a journalist and spy, to say nothing of her work on behalf of prisoners, her two arrests, and her eventual ten-month-long imprisonment, including in the infamous Lubyanka prison. It is a veritable encyclopedia of life in Russia in the early 1920s.
93 Untranslatable Russian Words

93 Untranslatable Russian Words

Every language has concepts, ideas, words and idioms that are nearly impossible to translate into another language. This book looks at nearly 100 such Russian words and offers paths to their understanding and translation by way of examples from literature and everyday life. Difficult to translate words and concepts are introduced with dictionary definitions, then elucidated with citations from literature, speech and prose, helping the student of Russian comprehend the word/concept in context.
The Latchkey Murders

The Latchkey Murders

Senior Lieutenant Pavel Matyushkin is back on the case in this prequel to the popular mystery Murder at the Dacha, in which a serial killer is on the loose in Khrushchev’s Moscow...
A Taste of Chekhov

A Taste of Chekhov

This compact volume is an introduction to the works of Chekhov the master storyteller, via nine stories spanning the last twenty years of his life.
Steppe / Степь

Steppe / Степь

This is the work that made Chekhov, launching his career as a writer and playwright of national and international renown. Retranslated and updated, this new bilingual edition is a super way to improve your Russian.
Maria's War: A Soldier's Autobiography

Maria's War: A Soldier's Autobiography

This astonishingly gripping autobiography by the founder of the Russian Women’s Death Battallion in World War I is an eye-opening documentary of life before, during and after the Bolshevik Revolution.
Murder and the Muse

Murder and the Muse

KGB Chief Andropov has tapped Matyushkin to solve a brazen jewel heist from Picasso’s wife at the posh Metropole Hotel. But when the case bleeds over into murder, machinations, and international intrigue, not everyone is eager to see where the clues might lead.

About Us

Russian Life is a publication of a 30-year-young, award-winning publishing house that creates a bimonthly magazine, books, maps, and other products for Russophiles the world over.

Latest Posts

Our Contacts

Russian Life
73 Main Street, Suite 402
Montpelier VT 05602

802-223-4955