On Andrei Zvyagintsev's new film, Loveless, that is sure to be seen as a sign of the times and a touchstone for current interpretations of Russia.

Where we discuss seven outstanding Soviet movies from the 1960s dealing with rural Russia, humaneness, and the 50th anniversary of the October Revolution that, instead of contributing to the revolution’s legacy, gathered dust for decades.

We are excited to announce our next big project: Time Travel! And we'll document it with a book and a movie!

Writer and commissar Dmitry Furmanov died 90 years ago. If you don’t recognize his name, it may be because he’s better known for his character Vasily Ivanovich Chapayev, a Red Army commander who achieved victory via potatoes. 

There are some fascinating hidden connections between Star Wars (the movie) and Russia. Let's explore them, shall we?

On Monday, January 18, a new BBC six-part miniseries of Lev Tolstoy's War and Peace comes to American television. Here's your crib sheet.

Leviathan is not, as virtually every mainstream critic has presumed, “anti-Russian.” I watched the movie resolutely prepared to intensely dislike it. I fully believed it would shamelessly pander to an American public eager to see a film that demonized Putin and made the country seem like a hellish landscape of unsalvageable bleakness. But that was not at all the case. 

We asked Ivan Kobilyakov, whose story on filming wild wolves in Putorana appeared in the Sep/Oct 2014 issue of Russian Life, to give us an update on the project and how filming has gone this summer. He also supplied new photos.

Start with an Armenian base, drop in some Tbilisi, some Moscow, some Kiev, stir in amazing cinematography and strong political convictions, season with a Siberian labor camp – and voila! You're getting close to the legendary filmmaker Sergei Parajanov.

The Americans, on FX, is a brilliant episodic drama that recreates the 1980s with only minimal anachronisms but plenty of tension, plot twists, double-dealing and moral relativism.

The movie is almost too silly to discuss, as if Saturday Night Live decided to do a parody, but nobody but the costume-director and scene-making crew were ready. A puppet resembling Keira Knightley plays Anna; although thin, even scrawny, the animators make her look almost human.

In this, the second of two posts on Tolstoy's Anna Karenina, the author recounts his discovery of the greatest novel of all time: "I had never lived a book as I lived Anna Karenina."