Nadezhda Alexeyeva

Nadezhda Alexeyeva

Director and artistic director of the Maly Theater, Veliki Novgorod

Patriotism is a very personal feeling, just like religion. I don’t want to rank myself among the patrios that yell from every television, in all the mass media, that this is some kind of requirement. Yet recently I have been asking myself this question quite often. It has simply slashed me, because I pose this question to myself and answer that “yes, of course, I am a patriot and reside in that sphere of culture that is my motherland, and a reside among a sphere of people that truly comprises for me my small motherland.” From these small things the whole of everything is created. And my understanding of “motherland,” I repeat, is for me mainly tied to the people and and our culture. Therefore, yes. And in this regard, if I were answering a question about religion, I would also answer unequivocally. Unequivocal in the sense not becasue I don’t belive in God, but because this too is a very personal question. And nevertheless, I answer it, “Yes, of course.” But I don’t want to rank myself among patriots who yell about Russian lands. I want to rank myself among patriots who speak of Russian culture. First and foremost, this is people, our asset, human and rich. Оf course it is our people.

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Moscow and Muscovites
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Moscow and Muscovites

Vladimir Gilyarovsky's classic portrait of the Russian capital is one of Russians’ most beloved books. Yet it has never before been translated into English. Until now! It is a spectactular verbal pastiche: conversation, from gutter gibberish to the drawing room; oratory, from illiterates to aristocrats; prose, from boilerplate to Tolstoy; poetry, from earthy humor to Pushkin. 

White Magic
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White Magic

The thirteen tales in this volume – all written by Russian émigrés, writers who fled their native country in the early twentieth century – contain a fair dose of magic and mysticism, of terror and the supernatural. There are Petersburg revenants, grief-stricken avengers, Lithuanian vampires, flying skeletons, murders and duels, and even a ghostly Edgar Allen Poe.

Murder at the Dacha
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Murder at the Dacha

Senior Lieutenant Pavel Matyushkin has a problem. Several, actually. Not the least of them is the fact that a powerful Soviet boss has been murdered, and Matyushkin's surly commander has given him an unreasonably short time frame to close the case.

Davai! The Russians and Their Vodka
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Davai! The Russians and Their Vodka

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Woe From Wit (bilingual)
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Woe From Wit (bilingual)

One of the most famous works of Russian literature, the four-act comedy in verse Woe from Wit skewers staid, nineteenth century Russian society, and it positively teems with “winged phrases” that are essential colloquialisms for students of Russian and Russian culture.

The Samovar Murders
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The Samovar Murders

The murder of a poet is always more than a murder. When a famous writer is brutally stabbed on the campus of Moscow’s Lumumba University, the son of a recently deposed African president confesses, and the case assumes political implications that no one wants any part of.

Marooned in Moscow
May 01, 2011

Marooned in Moscow

This gripping autobiography plays out against the backdrop of Russia's bloody Civil War, and was one of the first Western eyewitness accounts of life in post-revolutionary Russia. Marooned in Moscow provides a fascinating account of one woman's entry into war-torn Russia in early 1920, first-person impressions of many in the top Soviet leadership, and accounts of the author's increasingly dangerous work as a journalist and spy, to say nothing of her work on behalf of prisoners, her two arrests, and her eventual ten-month-long imprisonment, including in the infamous Lubyanka prison. It is a veritable encyclopedia of life in Russia in the early 1920s.

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