One hundred and fifty years ago, Mikhail Saltykov-Shchedrin offered a humorous critique of the state of Russian literature in the 1860s. He also wrote some parody "dreadful stories," one of which is translated and reproduced here.
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The movie is almost too silly to discuss, as if Saturday Night Live decided to do a parody, but nobody but the costume-director and scene-making crew were ready. A puppet resembling Keira Knightley plays Anna; although thin, even scrawny, the animators make her look almost human.
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Two stories out of Russia this weekend reinforced the stereotype that Russian entities (a) don't respect copyrights, yet (b) do value propaganda.
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In this, the second of two posts on Tolstoy's Anna Karenina, the author recounts his discovery of the greatest novel of all time: "I had never lived a book as I lived Anna Karenina."
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Lev Tolstoy's Anna Karenina has been called the greatest novel of all time. But can one really appreciate it as much in English translation versus the Russian original?
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Reviews of five interesting new books for Russophiles: Former People, Nevsky, St. Petersburg Noir, Wooden Churches and Russian Film Posters.
It is conventional wisdom that old-fashioned, ink and pulp publishing is in its death throes. But what if there were a way to "flip" the publishing model in a manner that preserves what is good, adopts what is new and useful, and filters out what is harmful and useless? I think we have found a way...
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